Big BlackSongs About Fucking

Label:

Touch And Go – T&G #24

Format:

Vinyl , LP, Album, Reissue, Remastered , 180 grams

Country:

USA & Europe

Released:

Genre:

Rock

Style:

Indie Rock

Tracklist

Happy Otter
A1 The Power Of Independent Trucking
A2 The Model
A3 Bad Penny
A4 L Dopa
A5 Precious Thing
A6 Colombian Necktie
Sad Otter
B1 Kitty Empire
B2 Ergot
B3 Kasimir S. Pulaski Day
B4 Fish Fry
B5 Pavement Saw
B6 Tiny, King Of The Jews
B7 Bombastic Intro

Companies, etc.

  • Recorded AtSouthern Studios
  • Remastered AtChicago Mastering Service
  • Manufactured ByGreen Vinyl Records
  • Copyright ©Kling Klang Music
  • Lacquer Cut AtChicago Mastering Service
  • Mastered AtRecord Technology Incorporated – 29859

Credits

  • BassDavid Michael Riley*
  • Guitar [Grrr]Melvin Belli
  • Guitar [Skinng]Steve Albini
  • Lacquer Cut ByBW*
  • Recorded By [With]John Loder (tracks: A1 to A6)
  • Remastered BySteve Albini

Notes

Sticker: Remastered [...] at Chicago Mastering

"Includes full LP coupon"

Happy Otter side recorded at Southern Studios, Wood Green with the dapper John Loder.
Sad Otter side recorded in Chicago, no shit.

Runouts are hand etched.

Barcode and Other Identifiers

  • Barcode (Printed sticker): 0 36172 07241 5
  • Barcode (Scanned): 036172072415
  • Matrix / Runout (Side A, runout): TG-024LP-A [CMS Logo] BW180314 HAPPY 29859.1(3)...
  • Matrix / Runout (Side B, runout): TG-024LP-A [CMS Logo] BW180314 SAD 29859.2(3)...

Other Versions (5 of 39)

View All
Title (Format) Label Cat# Country Year
Songs About Fucking (LP, Album) Au Go Go ANDA 64 Australia 1987
Songs About Fucking (LP, Album) Touch And Go T&G LP #24, T&G #24 US 1987
Recently Edited
Songs About Fucking (LP, Album, Stereo) Blast First BFFP 19 UK 1987
Needs Changes
Songs About Fucking (CD, Album) Blast First BFFP 19CD UK 1987
Recently Edited
Songs About Fucking (LP, Album) Torso 33043 Netherlands 1987

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Reviews

  • xueyl's avatar
    xueyl
    I got a copy from amazon us, most parts are same with this release except:
    1 big black sticker on front but not 2 small (one in black and one in green)
    no code
    • gsheputis's avatar
      gsheputis
      I have a few of these Green Vinyl pressings, (this one, the new Shellac and the new Didjits comp) and they're pretty noisy - no 'pops' per se, but lots of squiggles, hisses, and short whooshes - bad noise characteristics, I would say, and nowhere near 'audiophile' - I'll take PVC over PET any day.....!
      • squidbrand's avatar
        squidbrand
        My only comparison point sound-wise is the original Touch & Go CD and I want to say this sounds like it has a bigger and more cavernous stereo image than the CD did. I was really curious about this non-PVC “Green Vinyl” thing though, since I’ve never seen anyone but T&G advertising that, and I have to say this is a great pressing (though apparently it’s injection molded, not pressed). Perfectly centered, no warping, dead quiet track gaps. It has a very similar feel in the hand to the records I own that were pressed in West by Sonopress in the early ‘80s. Like those, the material at the lead-in groove is completely flat, without the teardrop-like rounding that most records have, and then it comes to a sharp squared-off outer edge.

        Feels like a much higher quality release than most of the stuff that gets pressed these days from super high volume places like GZ.

        Picked this up only two days after Steve Albini ed. I didn’t know him, but I grew up in Chicago and saw Shellac so many times that it almost felt like I did… and of course I followed his career as an essayist and shitposter. From that perspective I have to say the version of Steve Albini I ired most as a fan was the person he became—self-reflective, principled, humble, hilarious, and the commander of a recorded drum sound that is so real that I don’t think anyone will ever equal it. The Steve Albini that made this album, and then formed Rapeman soon after, must have been a little shit… but the menacing power of the music is undeniable.
        • cwhamilton's avatar
          cwhamilton
          Edited one year ago
          I just picked this up, and out of the 3 pressings I now own, this one sounds the best. It's pretty full, and the bass seems to sound louder, too. The OG was pretty good, and the 2018 reissue is great, but this 2023 one is the best, in my opinion, anyway.

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