Pink Floyd – Meddle
Tracklist
A1 | One Of These Days | |
A2 | A Pillow Of Winds | |
A3 | Fearless | |
A4 | San Tropez | |
A5 | Seamus | |
B | Echoes |
Companies, etc.
- Record Company – The Gramophone Co. Ltd.
- Record Company – EMI
- Recorded At – Air Studios
- Recorded At – EMI Studios
- Recorded At – Morgan Studios
- Published By – Williamson Music Ltd.
- Published By – Chappell
- Published By – World Copyrights Ltd.
- Manufactured By – The Gramophone Co. Ltd.
- Printed By – Garrod & Lofthouse Ltd.
- Made By – Garrod & Lofthouse Ltd.
Credits
- Bass Guitar – Roger Waters
- Cover, Design – Pink Floyd
- Engineer [Air And EMI] – Peter Bown
- Engineer [Morgan] – Roger Quested
- Guitar [Guitars] – Dave Gilmour*
- Keyboards – Rick Wright*
- Percussion – Nick Mason
- Photography By [Inner Sleeve] – Hipgnosis (2)
- Photography By [Outer Sleeve] – Bob Dowling*
- Producer, Composed By – Pink Floyd
- Vocals – Roger Waters
Notes
Similar to this release; Meddle, but this version is missing the patent no. text from the inside right (see images).
Pressed 1971 to 1973.
Gatefold cover, textured on the outside.
Inside cover:
Recorded at Air Studios EMI Studios Abbey Road and at Morgan Studios London 1971.
℗ 1971
Made and printed in Great Britain.
Labels:
The Gramophone Co. Ltd.
Made in Gt. Britain.
A3 Including "You'll Never Walk Alone".
A1, A2, A4, A5, B World Copyrights Ltd.
A3 (Fearless) World Copyrights Ltd. A3 (You'll Never Walk Alone) Williamson Music Ltd. Chappell.
See also:
Meddle, repress with black labels.
Pressed 1971 to 1973.
Gatefold cover, textured on the outside.
Inside cover:
Recorded at Air Studios EMI Studios Abbey Road and at Morgan Studios London 1971.
℗ 1971
Made and printed in Great Britain.
Labels:
The Gramophone Co. Ltd.
Made in Gt. Britain.
A3 Including "You'll Never Walk Alone".
A1, A2, A4, A5, B World Copyrights Ltd.
A3 (Fearless) World Copyrights Ltd. A3 (You'll Never Walk Alone) Williamson Music Ltd. Chappell.
See also:
Meddle, repress with black labels.
Barcode and Other Identifiers
- Matrix / Runout (A-side label): SHVL.795A
- Matrix / Runout (B-side label): SHVL.795B
- Matrix / Runout (A-side runout variant 1): SHVL 795 A-3
- Matrix / Runout (B-side runout variant 1): SHVL 795 B-3
- Matrix / Runout (A-side runout variant 2): SHVL 795 A-3 MG 3
- Matrix / Runout (B-side runout variant 2): SHVL 795 B-3 P 1
- Matrix / Runout (A-side runout variant 3): SHVL 795 A-4
- Matrix / Runout (B-side runout variant 3): SHVL 795 B-3
- Other (Printer code): 7110 TPS
Other Versions (5 of 705)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Meddle (LP, Album, Repress, Stereo, 'B' Price code, Gatefold) | Harvest | SHVL 795, 2(C 064 - 04917) | 1971 | |||
Recently Edited
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Meddle (LP, Album, LA Pressing, Gatefold) | Harvest | SMAS-832 | US | 1971 | ||
Recently Edited
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Meddle (LP, Album, Stereo, Gatefold) | Harvest | 1J 064-04.917 | Spain | 1971 | ||
Recently Edited
|
Meddle (LP, Album, Stereo, Gatefold Sleeve) | Harvest | 3C 062-04917, 3C 062 - 04917 | Italy | 1971 | ||
Recently Edited
|
Meddle (LP, Album, Stereo, Gatefold) | Harvest | SHVL 795 | Australia | 1971 |
Recommendations
Reviews
-
Edited 4 years agoWith a pristine UK original copy I feel justified in comparing with the 2016 Grundman reissue
I mostly went back and forth with what I feel are the most revealing tracks, Fearless and San Tropez.
To start with the UK, I observed that it has a lot less deadwax, making more room for dynamics to breathe. But in actuality this difference is very minimal and might not even matter as the reissue is just cut quieter to compensate, which it also can with its quiet vinyl. Finding an equally spotless Harvest is hard even though mine is.
This does however give the UK an edge in some harmonic detail. But speaking of edge it also has a somewhat more harsh sound to it. Grundmans cut is actually smoother and easier listened. By employing better mastering tricks it solves problems like sibilant S's which can be annoying on the original, as well as leaving less possibilities for lesser gear to mistrack closer to the label (IGD). And amazingly very little in of quality is lost here by effectively choosing what important aspects to highlight for the listeners pleasure like lessening some bass but still matching it in places where its needed and able to shine.
In the end its a preference choice only and I feel both are winners, just like with WYWH and Animals that Ive also compared so far. But I would give the Reissue the edge here as its cheaper, has less distortion and is only an inch away from the original in of soundquality though I still prefer a clean original.
Update:
Ive tested both A-1U / B-1U fully textured sleeve and A-4 / B-3 outside textured sleeve pressings and they are near identical in sound. Both will yield that original bass filled sound with extra bite, be it with more sibilance, compared to the reissue.
Equipment Used:
Rega RP1 with Nagaoka MP-200 Cartridge
Cyrus 2 Amplifier
System Fidelity SF-3050 Tower Speakers
Custom made HQ Speaker Cables -
Release
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Recently Edited
Recently Edited
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