Pink FloydMeddle

Label:

Harvest – 1E 064 ○ 04917

Format:

Vinyl , LP, Album , The Gramophone Co. Rim text. No sleeve patent number

Country:

UK

Released:

Genre:

Rock

Style:

Ethereal

Tracklist

A1 One Of These Days
Written-ByWaters*
A2 A Pillow Of Winds
Written-ByWaters*
A3 Fearless
Written-By [Fearless]Waters*
Written-By [You'll Never Walk Alone]Rodgers-Hammerstein II*
A4 San Tropez
Written-ByWaters*
A5 Seamus
Written-ByWaters*
B Echoes
Written-ByWaters*

Companies, etc.

  • Record CompanyThe Gramophone Co. Ltd.
  • Record CompanyEMI
  • Recorded AtAir Studios
  • Recorded AtEMI Studios
  • Recorded AtMorgan Studios
  • Published ByWilliamson Music Ltd.
  • Published ByChappell
  • Published ByWorld Copyrights Ltd.
  • Manufactured ByThe Gramophone Co. Ltd.
  • Printed ByGarrod & Lofthouse Ltd.
  • Made ByGarrod & Lofthouse Ltd.

Credits

  • Bass GuitarRoger Waters
  • Cover, DesignPink Floyd
  • Engineer [Air And EMI]Peter Bown
  • Engineer [Morgan]Roger Quested
  • Guitar [Guitars]Dave Gilmour*
  • KeyboardsRick Wright*
  • PercussionNick Mason
  • Photography By [Inner Sleeve]Hipgnosis (2)
  • Photography By [Outer Sleeve]Bob Dowling*
  • Producer, Composed ByPink Floyd
  • VocalsRoger Waters

Notes

Similar to this release; Meddle, but this version is missing the patent no. text from the inside right (see images).

Pressed 1971 to 1973.

Gatefold cover, textured on the outside.

Inside cover:
Recorded at Air Studios EMI Studios Abbey Road and at Morgan Studios London 1971.
℗ 1971
Made and printed in Great Britain.

Labels:
The Gramophone Co. Ltd.
Made in Gt. Britain.

A3 Including "You'll Never Walk Alone".

A1, A2, A4, A5, B World Copyrights Ltd.
A3 (Fearless) World Copyrights Ltd. A3 (You'll Never Walk Alone) Williamson Music Ltd. Chappell.

See also:
Meddle, repress with black labels.

Barcode and Other Identifiers

  • Matrix / Runout (A-side label): SHVL.795A
  • Matrix / Runout (B-side label): SHVL.795B
  • Matrix / Runout (A-side runout variant 1): SHVL 795 A-3
  • Matrix / Runout (B-side runout variant 1): SHVL 795 B-3
  • Matrix / Runout (A-side runout variant 2): SHVL 795 A-3 MG 3
  • Matrix / Runout (B-side runout variant 2): SHVL 795 B-3 P 1
  • Matrix / Runout (A-side runout variant 3): SHVL 795 A-4
  • Matrix / Runout (B-side runout variant 3): SHVL 795 B-3
  • Other (Printer code): 7110 TPS

Other Versions (5 of 705)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Meddle (LP, Album, Repress, Stereo, 'B' Price code, Gatefold) Harvest SHVL 795, 2(C 064 - 04917) 1971
Recently Edited
Meddle (LP, Album, LA Pressing, Gatefold) Harvest SMAS-832 US 1971
Recently Edited
Meddle (LP, Album, Stereo, Gatefold) Harvest 1J 064-04.917 Spain 1971
Recently Edited
Meddle (LP, Album, Stereo, Gatefold Sleeve) Harvest 3C 062-04917, 3C 062 - 04917 Italy 1971
Recently Edited
Meddle (LP, Album, Stereo, Gatefold) Harvest SHVL 795 Australia 1971

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Reviews

  • LeonTP's avatar
    LeonTP
    Edited 4 years ago
    With a pristine UK original copy I feel justified in comparing with the 2016 Grundman reissue
    I mostly went back and forth with what I feel are the most revealing tracks, Fearless and San Tropez.
    To start with the UK, I observed that it has a lot less deadwax, making more room for dynamics to breathe. But in actuality this difference is very minimal and might not even matter as the reissue is just cut quieter to compensate, which it also can with its quiet vinyl. Finding an equally spotless Harvest is hard even though mine is.
    This does however give the UK an edge in some harmonic detail. But speaking of edge it also has a somewhat more harsh sound to it. Grundmans cut is actually smoother and easier listened. By employing better mastering tricks it solves problems like sibilant S's which can be annoying on the original, as well as leaving less possibilities for lesser gear to mistrack closer to the label (IGD). And amazingly very little in of quality is lost here by effectively choosing what important aspects to highlight for the listeners pleasure like lessening some bass but still matching it in places where its needed and able to shine.
    In the end its a preference choice only and I feel both are winners, just like with WYWH and Animals that Ive also compared so far. But I would give the Reissue the edge here as its cheaper, has less distortion and is only an inch away from the original in of soundquality though I still prefer a clean original.

    Update:
    Ive tested both A-1U / B-1U fully textured sleeve and A-4 / B-3 outside textured sleeve pressings and they are near identical in sound. Both will yield that original bass filled sound with extra bite, be it with more sibilance, compared to the reissue.

    Equipment Used:
    Rega RP1 with Nagaoka MP-200 Cartridge
    Cyrus 2 Amplifier
    System Fidelity SF-3050 Tower Speakers
    Custom made HQ Speaker Cables
    • Herbie1962's avatar
      Herbie1962
      love Pink Floyd and have done since the early 1970s

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