Tracklist
A1 | Metronomic Underground | 7:55 | |
A2 | Cybele's Reverie | 4:42 | |
A3 | Percolator | 3:47 | |
A4 | Les Yper-Sound | 4:05 | |
A5 | Spark Plug | 2:29 | |
A6 | OLV 26 | 5:42 | |
A7 | The Noise Of Carpet | 3:05 | |
B1 | Tomorrow Is Already Here | 4:56 | |
B2 | Emperor Tomato Ketchup | 4:37 | |
B3 | Monstre Sacre | 3:44 | |
B4 | Motoroller Scalatron | 3:48 | |
B5 | Slow Fast Hazel | 3:53 | |
B6 | Anonymous Collective | 4:32 |
Companies, etc.
- Manufactured By – Elektra Entertainment
- Phonographic Copyright ℗ – Elektra Entertainment Group
- Copyright © – Elektra Entertainment Group
- Published By – Copyright Control
- Published By – Sony Music Publishing
- Designed At – Trouble (11)
- Recorded At – Blackwing Studios
- Recorded At – Idful Music
Credits
- Arranged By [String Arrangements], Electric Piano [Wurlitzer Electric Piano], Vocals [Vox], Organ, Vibraphone [Vibes] – Sean O'Hagan (tracks: A1 to A3, A5 to A7, B3, B5)
- Engineer – Paul Tipler (tracks: A1 to A3, A5 to A7, B3, B5)
- Management [Perkily Managed By] – Sheri Hood
- Producer, Mixed By – The Groop (2)
- Sleeve [With Assistance From] – Frank (210)
- Strings [Strings Played By] – Sally Herbert
- Synthesizer [Various Analogue Synthesisers, Electronics [Other Electronic Devices], Maracas [Some Maracas], Tambourine [Tambourines] – John McEntire (tracks: A4, B1, B3, B5, B6)
- Vocals, Percussion [Supercussion], Bass, Guitar [Guitars], Organ [Vox Organs, Farfisa Organs], Synthesizer [Analogue Synthesisers], Electronics [Other Electronics], Electric Piano [Electric Pianos], Tambourine [Tambourines], Vibraphone [Vibes], Other [Etc] – Tim Gane
- Written-By – Gane*
Notes
Tracks A1 to A3, A5, A6, A7, B3 & B5 recorded at Blackwing Studios London. Tracks A4, B1, B3, B5 & B6 recorded at Idful Music Corp Chicago.
Sleeve at Trouble with Assistance from Frank & Bettina.
Includes double-sided back and white insert with lyrics and credits.
Sleeve at Trouble with Assistance from Frank & Bettina.
Includes double-sided back and white insert with lyrics and credits.
Barcode and Other Identifiers
- Barcode: 075596184014
- Matrix / Runout (Side A etched runout): ST-E-61840A-1
- Matrix / Runout (Side B etched runout): ST-E-61840B-1
Other Versions (5 of 45)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Emperor Tomato Ketchup (CD, Album, SRC/ARC) | Elektra | 61840-2 | US | 1996 | ||
Recently Edited
|
Emperor Tomato Ketchup (2×LP, Album, Limited Edition, Yellow Translucent With Silver Glitter ) | Duophonic Ultra High Frequency Disks | D-UHF-D11 | UK | 1996 | ||
Recently Edited
|
Emperor Tomato Ketchup (CD, Album) | Duophonic Ultra High Frequency Disks | D-UHF-CD11 | UK | 1996 | ||
Recently Edited
|
Emperor Tomato Ketchup (CD, Album, Club Edition) | Elektra | 61840-2 | US | 1996 | ||
Recently Edited
|
Emperor Tomato Ketchup (CD, Album) | Elektra | 7559-61840-2 | Europe | 1996 |
Recommendations
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1999 UKLP, Album, Limited Edition
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2000 CanadaLP, Album
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Reviews
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In agreement with everyone here, this pressing packs in too much on a single-disc for it to be dynamic. Though Side B is much louder and enjoyable than Side A, fwiw.
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Just adding this is so quiet and has very little bass ... has been in my collection since release and now playing it on my new system is so underwhelming ... amazing album but this pressing really doesn't do it justice.
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this is the wu tang "36 chambers" of 90s alt rock vinyl pressings... single disc, super quiet, no bass. proud to own it, but CD sounds better
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Edited 9 years agoPressed at way too low volume in order to fit onto a single LP. Should have been pressed over 2 LP's (which I see they have done with the reissues).
Release
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Data Correct
Data Correct
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