Wes Montgomery – The Complete Full House Recordings
Label: |
Craft Recordings – CR00681 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Hard Bop |
Tracklist
| Full House | |||
| A1 | Full House (Album Version) | 9:18 | |
| A2 | I've Grown Accustomed To Her Face | 3:32 | |
| A3 | Blue 'N' Boogie (Take 2, Album Version) | 9:39 | |
| B1 | Cariba (Take 2, Album Version) | 9:42 | |
| B2 | Come Rain Or Come Shine (Take 2, Album Version) | 6:59 | |
| B3 | S.O.S. (Take 3, Album Version) | 5:04 | |
| Alternate Takes | |||
| C1 | Full House (With Originally Played Montgomery Solo Restored) | 7:22 | |
| C2 | Blue 'N' Boogie (Take 1, Alternate) | 10:59 | |
| D1 | Cariba (Take 1, Alternate) | 8:31 | |
| D2 | Come Rain Or Come Shine (Take 1, Alternate) | 7:22 | |
| Alternate Takes And Outtakes | |||
| E1 | S.O.S. (Take 1, Alternate) | 5:13 | |
| E2 | S.O.S. (Take 2, Alternate) | 4:45 | |
| F1 | Born To Be Blue (Take 1, Outtake) | 7:30 | |
| F2 | Born To Be Blue (Take 2, Outtake) | 7:22 |
Companies, etc.
- Phonographic Copyright ℗ – Craft Recordings
- Copyright © – Craft Recordings
- Manufactured By – Concord
- Distributed By – Concord
- Recorded At – Tsubo
- Mastered At – Joe Tarantino Mastering
- Lacquer Cut At – Cohearent Audio
- Pressed By – Optimal Media GmbH – BN95013
Credits
- Art Direction, Design – Tommy Steele (2)
- Bass – Paul Chambers (3)
- Compilation Producer [Compilation/Reissue Produced By] – Nick Phillips (2)
- Design [Original Album Design] – Ken Deardoff
- Drums – Jimmy Cobb
- Editor [Editorial] – Ryan Jebavy
- Engineer [Recording] – Wally Heider
- Guitar – Wes Montgomery
- Lacquer Cut By – MCL*
- Liner Notes [New Liner Notes] – Bill Milkowski
- Liner Notes [Original Album Liner Notes] – Orrin Keepnews
- Mastered By – Joe Tarantino
- Photography By [Additional] – Jim Marshall Photography LLC
- Photography By [Original Album Liner Photos] – Jim Marshall (3)
- Piano – Wynton Kelly (tracks: A1, A3 to F2)
- Producer [Original Recordings Produced By] – Orrin Keepnews
- Project Manager [Project Assistance] – Steven P. Gorman
- Project Manager [Project Supervision] – Mason Williams (2)
- Tenor Saxophone – Johnny Griffin (tracks: A1, A3 to E2)
Notes
Celebrating the Wes Montgomery centennial and Riverside Records' 70th anniversary.
3-LP expanded edition. Comes in a triple gatefold sleeve with OBI strip. Front cover features spot-UV printing.
24-Bit/192KHz mastering from the original tapes.
℗ 2023 & © 1962, 2023 Craft Recordings.
Recorded live at Tsubo, Berkeley, California; June 25, 1962.
Griffin does not play on "Born To Be Blue". Kelly and Griffin do not play on "I've Grown Accustomed To Her Face".
Tracks C2, D1, F1 were originally released on The Complete Riverside Recordings.
Tracks D2, E2, F2 were originally released on The Alternative Wes Montgomery.
Tracks C1, E1 are previously unreleased.
Note on title track "Full House":
The original album version (track A1) is a composite of two takes in which Montgomery's solo from another take was edited in. Track C1 is the complete unedited master take, with Montgomery's originally played solo restored.
Runouts are etched and " 1|" is mirrored.
3-LP expanded edition. Comes in a triple gatefold sleeve with OBI strip. Front cover features spot-UV printing.
24-Bit/192KHz mastering from the original tapes.
℗ 2023 & © 1962, 2023 Craft Recordings.
Recorded live at Tsubo, Berkeley, California; June 25, 1962.
Griffin does not play on "Born To Be Blue". Kelly and Griffin do not play on "I've Grown Accustomed To Her Face".
Tracks C2, D1, F1 were originally released on The Complete Riverside Recordings.
Tracks D2, E2, F2 were originally released on The Alternative Wes Montgomery.
Tracks C1, E1 are previously unreleased.
Note on title track "Full House":
The original album version (track A1) is a composite of two takes in which Montgomery's solo from another take was edited in. Track C1 is the complete unedited master take, with Montgomery's originally played solo restored.
Runouts are etched and " 1|" is mirrored.
Barcode and Other Identifiers
- Barcode (OBI Strip): 888072530287
- Matrix / Runout (Side A): CR00681-A KPG & MCL@CA BN95013-01 A1 1|
- Matrix / Runout (Side B): CR00681-B KPG & MCL@CA BN95013-01 B1 1|
- Matrix / Runout (Side C): CR00681-C KPG & MCL@CA BN95013-02 C1 1|
- Matrix / Runout (Side D): CR00681-D KPG & MCL@CA BN95013-02 D1 1|
- Matrix / Runout (Side E): CR00681-E KPG & MCL@CA 1| BN95013-03 E1
- Matrix / Runout (Side F): CR00681-F KPG & MCL@CA BN95013-03 F1 1|
Other Versions (5 of 83)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Full House (LP, Album, Mono) | Riverside Records | RLP 434 | Netherlands | 1962 | ||
|
New Submission
|
Full House (LP, Album, Mono) | Riverside Records | RLP 434 | US | 1962 | ||
|
Recently Edited
|
Full House (LP, Album, Stereo) | Riverside Records | RLP 9434 | Netherlands | 1962 | ||
| Full House (LP, Album, Mono) | Riverside Records | RLP 434 | 1962 | ||||
|
New Submission
|
Full House (LP, Album, Stereo) | Riverside Records | SR-7051 | Japan | 1962 |
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2021 WorldwideVinyl —LP, Album, Reissue, Stereo
Reviews
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I was ready to buy this on the strength of the original recordings. I've heard the complete sessions on the old Complete Riverside Recordings CD box. I just don't understand why they didn't
A. Reissue the uncut gig as it happened (rather then resequence it).
B. Keep it 100% analog on the LP version (obviously they'd have to digitize for the CD version) -
Amazing sounding master and pressing! The clarity and nuance achieved compared to a high quality stream is miles above!
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I just bought the USA version from Amazon for $40US. Definately worth the money, sounds great to me but I do not have anything else to compare it to. I will write that off to ignorance is bliss.
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Edited one year agoWhy digitally remaster this release? and then use basic 24bit 192kHz decade-old digital loss format that has been far sured in recent years?
Did they lose or damage the original master tapes? -
Edited one year agoGlad to have pursued the US copy. As a UK citizen i paid less for this US version from Ebay than i did for the EU copy from a well known UK dealer. A bonus having returned my EU copy due to its false claims and sub par pressing.
The main advantage is this one lives up to the hype... the Optimal discs are perfect and much better than the GZ media. To see the runouts match the hype sticker is imoprtant but not as important as the sound and pressing quality and its on both these fronts where im pleased.
My only gripe is the awkward packaging and that once heard the bonus discs are not going to get much play, so id actually have preferred a single disc main album release instead.
Still, im satisfied at last. -
Looking at the reviews below for EU bought copies, it looks like we have another instance of the recent remaster and reissue of the classic Marvyn Gaye What's Going on album. That was falsely d as being mastered by KG and pressed at precision but in fact the EU version used a different master and was pressed at GZ. Shocking that these record companies can get away with this. It's a disgrace really. Reluctantly I'll be buying the CD after reading this.
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Edited one year agoThere are two unreleased performances on this new issue, and an additional three that make their first appearance on the vinyl format. It seems that the 1992 Complete Riverside CD mastering of this material rolls off the top frequencies down, which is typical of many late 80's early 90's CD mastering efforts. This new U.S. version (at least the LP vinyl version) restores the the full frequency range. Artwork, packaging, disc/vinyl pressings and notes are top notch.
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Just received my second copy of this set. The first had bad scratches/gouges taken out on side 2 of the 1sr album. The new copy has no damage.
The records are flat and sound great. I never heard the OG release so I’m very happy with this version. An excellent addition to my growing collection. -
Disappointing that craft d this as an analog source but the hype sticker details that it was digitally remastered. Too much money for something digital. Usually craft nails it. Not this time.
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Yes, I received mine in today and I am disappionted that it is pressed in Czech Republic and not as I thought at Optimal. Why don't we get the best version of this amazing album? I really don't understand this. My discs are also flat and silent. Would be interesting to compare it with the Optimal pressing.
Release
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New Submission
New Submission
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